Color Energies for Healing: Blue (Azul)

What’s your BLUES?

Many people tend to dream in color, others in black and white. ROYGBIV is an acronym for the sequence of hues commonly described as making up a rainbow.   All creation is made up of electromagnetic energy vibrating at different frequencies that correspond to sound, light and color.

Our consciousness and emotions align with the colors we wear, home design, and often our diet.  Therefore, the color blue (spanish = azul) is a color representing the perception of which is evoked by light having a spectrum dominated by energy with a wavelength of roughly 440-490 nm. It is considered one of the additive primary colors.

Metaphysics and Your 3rd Eye

Blue is the color of truth, serenity and harmony, by helping to soothe the mind. It is good for cooling, calming, reconstructing and protecting.  The color is also good for fevers, calming the body and mind while raising the frequency.

Blue relates to the future in linear time as it is a faster moving frequency than we experience in the physical. Consciousness is moving into the blue.

Blue is the color of electricity. We experience in a program created by electromagnetic energy that had a beginning and is evolving out of physical consciousness.

Blue connects with the third eye chakra (pineal gland) on the chakra system for the body on the higher self of virtues of man.

Ancient Egyptians Connection

According to Egyptology, Egyptian blue is one of the first artificial pigments known to be used by man. Primarily created around 5,000 years ago by heating a mixture of a calcium compound, a copper-containing compound, silica sand and soda or potash to around 850-950 C, the precious pigment was reserved for the most exquisite of artworks. In Egyptian belief, blue was considered the color of the heavens in connection with the universe.

Furthermore, its associated with water within the Blue Nile. However,  recently scientists have now found traces of the rare pigment behind drab-colored mummy portraits, leading to a new understanding of how this particular pigment was used by artists in the second century A.D.

 

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